The entire staircase was filled with
light from the paintings. When Sam saw them he felt agitation and suspense.
This was the right place. He was minutes perhaps from finding out where Jack
was. Which was fortunate; Harrison, his private detective, had just called. The
electoral register was a dead end.
Directly on the other side of the
front door the stairs reached down what looked like two storeys. The paintings
covered every brick: black paint as a base then the images themselves in bright
luminous and ultraviolet colours. Sam started down the steps.
It was the Apocalypse: the image on
the walls and roof, a huge mural that stretched all the way down the stairwell
to the cellar bar; a nuclear blast, tearing apart the bodies of men and women;
of the children; the souls of the dead being ripped from their bodies. The pain
and misery was captured perfectly in the medium. It was a stark work of clarity
but was imbued with an abstractness as well. In the same moment the faces were
perfectly realistic and transcendent. It was different from anything Sam had
ever seen.
Near the bottom of the stairwell were
angels, gathering the souls into their arms, an image that could have seemed
claustrophobic and dark but didn’t. The pain of the bomb meant nothing now to
these spirits. They had escaped all suffering. It wasn’t a tragedy at all.
As Sam got down to the bottom of the
stairs he reminded himself who the artist was. It wasn’t beautiful; it was filth;
horror that had sprung from that man’s mind.
The pub was quiet; no more than eight
people drinking or playing pool, apart from the barman. The bar ran round the
opposite left corner; circular tables filled the lower floor area; alcoves
around the entire room, each one lit up and filled with a picture, painted
again right onto the black bricks. Sam didn’t look at them as he crossed to the
bar.
Man in a suit serving: he looked out
of place as though he wasn’t used to it. A woman was sipping from a wine glass
and talking to him. Sam caught his eye. “Hi there. You the owner of this
place?”
The man nodded and raised his
eyebrows. “Yes I am. What would you like?”
“Actually I was wondering about these
paintings. They’re amazing, aren’t they?”
“Yeah.” The man nodded, scanning the
room. “I love them. I love this place actually. They’re the reason I own it at
all you know.”
“Really?” Sam leaned onto the
counter.
“Yeah. A fried of mine’s the artist
who did it all. He gave me the idea of buying the bar in the first place. When
I saw his paintings I just had this vision of how the place could look with his
paintings in every alcove. So I hired him to do it when I bought the place.”
“What’s the artist’s name?”
“Jack Catholic.”
“Never heard of him,” said Sam,
shrugging.
“He hasn’t made it big yet,” replied
the owner, “but he will. Wait and see. And then this place’ll be worth
millions.” He laughed. Sam laughed too, turning away to scan the other people
for a second.
“You two talking about Jack?” The
woman leaned closer to join in the conversation: thick black hair greying at
the roots; red dress revealing the curve of her breasts and the smooth skin on
her shoulders. She looked forty-five, plus or minus four.
“Yeah,” said the owner, “About the
paintings.”
“They’re amazing aren’t they?” said
Sam.
“Yes,” she replied. “Beautiful.”
“Does the guy who painted them still
live in London?”
“Far as I know,” said the owner. “Haven’t
seen him for a while now. I think he moved but he’ll be back soon enough. He
always returns eventually.”
The fingers tightened in Sam’s fist.
They weren’t going to be of any help in finding him.
“He’s got that girlfriend now,” said
the woman; twitch of irritation in her eye. “That’s why we haven’t seen him.”
The owner shrugged. “If you’re
interested in buying any of his work I could give him your name and number next
time he comes in.”
Sam shook his head. “I don’t think I
could afford anything like that at the moment and I’m not going to be in London
long anyway.”
“Pity,” said the woman. “He’s an
amazing guy.”
“Really?”
“Yes. He’s something really different.
It’s like he isn’t just human like the rest of us, do you know what I mean?”
“Not really,” said Sam.
“Like he lives in a different sphere
from the world that lets him paint the way he does. I can’t really explain it.
You know what I mean Frank, don’t you?”
The barman nodded. “I’ve never met
anyone like him.”
“And you never will again,” said Sam,
turning.
“Say what?” asked the barman.
Sam didn’t reply.
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